Sabtu, 29 Februari 2020

Mixed Nuts 1994 Doblaje España

Mixed Nuts 1994 Doblaje España






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Mixed Nuts 1994 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Kirstie Nenita


Coordinador de acrobacias:
Maroof Ruest


Diseño de guión:
Moody Sayyid


Imágenes : Vuitton Guetta
Co-Produzent : Avijot Leonie


Productor ejecutivo : Nava Elienor


Director de arte supervisor:
Macee Girod


Produce|Producir : Manola Reba


Fabricante: Younès Jillian


Actriz : Bauer Keshavi








5.4
79















































Título de la película






Mixed Nuts 1994 Doblaje España







Hora




193 minuto





Lanzamiento




1994-12-21





costo




FLA 720p
DVD





Categoría




Comedy, Drama, Romance





habla




English





nombre de reparto




Patrice
N.
Brodeur, PKM FilmsDakota W. Ramir, Litzy E. Garelli







[HD] Mixed Nuts 1994 Doblaje España



The events focus around a crisis hotline business on one crazy night during the Christmas holidays.


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Star Wars: The Rise of Skywalker 2019 Doblaje España

Star Wars: The Rise of Skywalker 2019 Doblaje España






Star Wars: The Rise of Skywalker 2019 Doblaje España- película - film -DVDScr- Película completa HD - diseñador -año- deutsch .jpg



Star Wars: The Rise of Skywalker 2019 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Jayne Eman


Coordinador de acrobacias:
Costa Aness


Diseño de guión:
Devana Maliyah


Imágenes : Remus Elea
Co-Produzent : Duras Dantzig


Productor ejecutivo : Ramon Zariya


Director de arte supervisor:
Milano Laurent


Produce|Producir : Tasnime Rylee


Fabricante: Aniyah Raylan


Actriz : Leone Sagal








6.7
1768















































Título de la película






Star Wars: The Rise of Skywalker 2019 Doblaje España







Hora




165 minutos





Lanzamiento




2019-12-18





costo




MPG 1440p
DVDrip





Categorías




Action, Adventure, Science Fiction





habla




English





nombre de reparto




Audran
U.
Cheryl, Cicada FilmsJuin G. Iestyn, Divine U. Hayden







[HD] Star Wars: The Rise of Skywalker 2019 Doblaje España


Well.. this was dull.

Let me give you a little context to understand better how I felt during this movie. Firstly: I'm NOT a big Star Wars fan. I like the movies and see them as a "good" franchise, but I wouldn't put any of them on my personal top lists.

I enjoy the art of the franchise way more than the story. I LOVE the music, the design of ships and the visual world building. I like some aspects of the overall story more than others of course, but none really come to mind when I think of what I like about the movies in general.

That being said, I felt "The Force Awakens" was really boring. Just a generic movie trying to do "the Star Wars things". It was fine but not in any way memorable to me.

"The Last Jedi" on the other hand really tried ignoring the big "Star Wars cult" and therefore entertained me the most of all the 9 movies. I prefered the focus on using the "Star Wars" world to tell a story rather then to tell another "Star Wars"-version.

"The Rise of Skywalker" now is at best as boring as "The Force Awakens" and very often a big punch in the face to everything I liked about "The Last Jedi". Obviously the higher ups at Disney decided to take notes on everything "the fans" disliked about the 8th movie and do some sort of "damage control" according to that feedback.

The movie hast way too much going on for reasons which are often non-existant or just plainly bad. Since the movie couldn't grab my focus I just happened to think more about the big plotholes and started nitpicking and sometimes even mocking the movie for certain decisions which I don't want to spoil here.

It's really a shame. I hope Disney will use the name in the future to do standalone movies of different genres, for example a racing movie in space would be great or a good action flick with one or two of the beloved characters.

If I had to give it a rating I would probably give the movie a 4-6/10. I only REALLY enjoyed one scene because I hoped for it to happen most of the movie, but that didn't save the rest.
Went to the first showing in town tonight. I really enjoyed the film. Although it leaned heavy on nostalgia, it should, since it is wrapping up 40 years. I did not care for The Last Jedi, and was worried going in. Will do a deeper dive after I have seen it a few times.
It’s hard to write a review for this film without any major spoilers, so this might seem a little vague here and there. There will be very minor spoilers, primarily what’s revealed in the opening text crawl or the trailers, so not much, but if you want to go into this film completely virgin, stop here.

The film starts off with things already underway. A transmission has been sent out that contains the voice of Emperor Palpatine. Kylo Ren, now Supreme Leader of the First Order, goes to seek out Palpatine as a potential threat to his power. In the meantime, the Resistance is still in shambles after the events of “The Last Jedi,” and they are busy doing scouting missions and regrouping.

All of this is revealed in the opening crawl of the movie, which is where the problems begin. It violates a cardinal rule of storytelling: Show, don’t tell. It wouldn’t have taken much to have this done on screen in more dramatic and effective fashion. Instead, this has the effect of making it feel like we either missed something important or that we’re watching an entirely different movie with a different story. This makes things confusing. It doesn’t help that I was already thinking that J.J. Abrams probably needs to go back to Screenwriting 101 during the opening crawl. Not a good way to start.

Other things happen during the course of the movie that make no sense. Why does Kylo Ren reforge his helmet? We never really find that out. He just does. The Knights of Ren do appear in this film finally. Who are they? If you’re expecting an answer of any kind, you’ll be disappointed. Why is there this strange connection between Rey and Kylo Ren? One of the mysteries of the Force, I suppose. Characters who we don’t know appear from nowhere having been significant to the goings on even though we’ve never seen them before. Other characters take bizarre and up to now not even hints at character arcs. It becomes a horrendously confusing mess.

I liked some of the more controversial aspects of “The Last Jedi.” Rey being a nobody with no significant parentage? Great idea! The galaxy is a big place. Why does everyone have to be related? Well, this is adjusted slightly. I won’t go into details, but it was disappointing what they did, in my opinion. Leia’s story arc in this film is...weird. I’m going to allow that it’s due to the loss of Carrie Fisher and having to use archival footage (one scene that shows a young Luke and Leia using computer effects is freaky at best). But it’s off-putting and feels tacked on for convenience. It was nice to see Lando return, although even that felt more like throwing a bone to the fans. He could have potentially been replaced by any character with flying skills. Speaking of such, Wedge does make finally make an appearance, but it’s a blink-and-you’ll-miss-it moment.

Here’s how I would sum it up spoiler-free: As I said, I liked “The Last Jedi” a lot, including parts that many didn’t like or found weird as I stated above, but at the same time it was not a problem-free movie for me. “The Rise of Skywalker” is the exact opposite. It definitely has some really cool moments, but feels so sloppy and makes so many storytelling mistakes that, on the whole, I have to say that it’s a bad movie. I’ve said this about just about everything I’ve seen come from J.J. Abrams, that he’s great at coming up with interesting imagery. He gets these pictures in his head of something that would be really interesting to see on film, like flashes one might remember from a dream. For example, there’s a great scene near the end that finally corrects what many consider a great injustice done in an earlier movie. But couching these images in a cohesive story is not his strong suit. In fact, he’s downright terrible at it. This problem seemed to be going in full force in “The Rise of Skywalker.”

Were some of my complaints addressed in some expanded material? I don’t know, but even if they were it would still make it bad storytelling. Star Wars has always been fairly good about keeping things self-contained. Expanded material adds extra background to enhance the enjoyment of the main material, like adding seasoning, but shouldn’t be necessary to appreciate the meal.

Overall, you need to see this movie to close out the Skywalker Saga, but that’s really the only reason. Don’t go into this expecting a good or even decent film, or for every question to be answered. Ultimately, it’s a disappointing end to Star Wars, and I say this as a Star Wars fan.
When The Force Awakens was released the vast majority of fans liked it. They were practically watching a remake of A New Hope but it was enough for them. Although they never liked Rey. That damn feminist agenda right?

The Last Jedi took that from them, it got away from the formula and they went crazy.
Who was that Rian Johnson and how he dare to change the characters that only they know how they should act?

They did not give them what they wanted and that annoyed them and it's ironic because many times they have complained about the saga and its direction and if something has become clear to me it's that the great majority only want the same, like in the original trilogy. And what does that mean? Fan service. And that's what Star Wars has become.

You don't believe me? Ask fans about the scene they liked the most about Rogue One.
Vader's scene. A fan service scene.

And the fear of losing the ''fans'' forced Disney to undo what they were creating, they also threw Johnson and his film under the bus and they practically announced this new film like the one that came to fix the disaster. A shame and an insult to the director's work.

Rise of Skywalker in my opinion represents a setback and it doesn't matter that this is supposed to be the ending. It's a setback because they decided to play it safe and submit to the whims of the audience.
While that does not translate into poor quality, it doesn't represent something worth mentioning either.

Star Wars represents pure and good entertainment but when it lacks surprises and feels so safe and predictable it means that you're sacrificing any emotional resonance and when it comes to the end of the 9 episodes, that emotion is simply not there.
That shot of Rey looking at the two suns should have felt overwhelming and thrilling and I don't know about you but I didn't feel it and that was a huge letdown.

And that's what separates this ending from Return of The Jedi and Revenge of the Sith, even though it was known what would happen in Episode III, despite the mistakes there was emotion, here was like finishing the business.

I don't consider myself a die-hard fanatic of Star Wars but I do like the saga a lot, yet in order to survive, even of its toxic fandom, they have to dare to try new stuff and forget about the original trilogy because to live in the past is to die in the present and for the saga to have a future, looking forward is the only way.

It's a very well made and entertaining film and it was a decent ending for this trilogy but quite an underwhelming conclusion for the saga as a whole.

And the Knights of Ren? What a fucking disappointment.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

If you don’t know by now, I’m a massive Star Wars fan. I love the original trilogy, but the prequels… not so much. However, Disney’s sequel trilogy has delivered two of my favorite movies of the whole franchise, so its conclusion was obviously one of my most anticipated moments of the year. If that wasn’t enough to leave everyone excited, add the fact that it also means the end of the Skywalker Saga, and the pressure suddenly becomes 10x heavier. I went in with moderately high expectations, with not even a glimpse of any trailer or TV spot, just like I did with Avengers: Endgame. The latter surpassed my expectations and delivered a near-perfect conclusion to the Infinity Saga…

The Rise of Skywalker is a tremendous letdown. I won’t sugarcoat it. If someone told me at the beginning of the year that J.J. Abrams wouldn’t be able to offer a satisfying end to the nine-episode story, I would laugh like crazy. It disappointed me so much that I don’t even want to extend this review more than the usual. I know that a lot of people hated The Last Jedi, but for better or worse, that film exists. Rian Johnson’s decisions were made. Some people received them well, some didn’t. But all of us got to watch and experience his narrative.

There’s something called artistic integrity, which J.J. Abrams and Chris Terrio completely forgot about. The lack of respect for the saga’s previous installment is baffling. The structure-less screenplay is so unbelievably convoluted that it reaches a point where evident logical issues come into play. Major plot points occur due to some genuinely hard-to-believe events, and even the characters seem to have no path whatsoever. It’s entertainment for the sake of entertainment.

Of course, there are a lot of visually jaw-dropping action sequences. The cinematography (Dan Mindel) is some of the best I’ve seen in the franchise and in this year. John Williams’ score is emotionally compelling, and it definitely elevates a lot of important moments, being a big source for the chills down my body. And yes, there are a bunch of epic scenes. However, throughout the whole runtime, the frustration was always there. Major threads and character backstories were answered in The Last Jedi, but The Rise of Skywalker feels more like another sequel to The Force Awakens than to Rian Johnson’s flick.

If there’s one undeniable aspect about this trilogy that this last movie proves is that there was no plan. No roadmap. No overall structure. Whether you love or hate each or every installment, this is indisputable. Disney screwed up this time. Creative freedom is essential to filmmakers, but the production team behind a franchise needs to have a well-organized structure. The simple fact that J.J. Abrams directed the first film, left and returned to do the third one, is already weird and uncommon by itself.

Besides the lack of artistic integrity, there’s this feeling of constant disappointment throughout the movie. On several occasions, The Rise of Skywalker is so close to delivering a perfect sequence. A chill-inducing moment. An incredibly emotional scene. Almost every time, it fails at the last second, at the last line of dialogue, or at the last action movement. Some moments are still captivating, and they don’t lose that much impact. Nevertheless, some are totally destroyed by the most ridiculous, cringe-worthy choices I’ve witnessed in the saga.

The first act is devoid of any thought. Characters go to places to get something they need to another place so that in that place, they find something else that leads them into another place… It’s frenetic, out-of-control pacing. The desperation to set up so many different side stories in time is so prominent that it’s visible from another galaxy. From the second act on, things get a bit more clear, and in the third act, all the threads blend decently. It’s in the last 30 minutes that the resemblances to Avengers: Endgame come into play. The only difference is that it doesn’t have 1/10 of the emotional impact due to the questionable decisions I mentioned above.

Only one character got his arc complete without detours or significant changes: Kylo Ren. J.J. set him up, Rian Johnson continued his journey, and J.J. closed his arc pretty well. Every other character either got their arcs complete with major changes throughout, or they didn’t come close to finish their own story. There’s one exception, though, and that’s Carrie Fischer’s Leia. It would be extremely disrespectful and unfair for someone to criticize the filmmakers about her. They inserted her reasonably well in the scenes (please, if someone complains about visual effects, just get lost), and they did the absolute best they could under the known circumstances. I might be extremely disappointed, but I do have to send the team my congrats for closing her arc in the most dignified way possible.

As for everyone else… well, the cast has been outstanding from the very beginning. Adam Driver, I have no words for him. He’s so perfect as Kylo Ren that I even defend his character as a villain more layered and emotionally complex than Darth Vader. I love Daisy Ridley as Rey, and she does a phenomenal job in this last film, even when her dialogue doesn’t entirely suit her. John Boyega, Oscar Isaac, and everyone else (who I won’t mention due to possible spoilers) are all brilliant, and I have to congratulate them on making every single movie a bit better.

I don’t know what more should I write. I have very mixed feelings about it. I love a lot of the epic moments, the film looks absolutely stunning, and the action sequences are genuinely jaw-dropping. However, I strongly disagree with some decisions made by J.J. Abrams and Chris Terrio, especially the ones that make The Last Jedi feel like it didn’t exist. This lack of artistic integrity plus the constant disappointments regarding each big moment’s climax ruins one of my most anticipated movies of the year. Despite the brilliant performances from the cast, only Kylo Ren got his arc complete without significant changes. The Force Awakens set up some mysterious questions. The Last Jedi answered them. The Rise of Skywalker… also answered them. It’s one of my biggest letdowns ever, but I’ll still save the Skywalker Saga close to my heart. Next time, just build a roadmap, Disney…

Rating: C
5 reasons **you'll** love this movie:

**You** can't spoil the plot to anyone who hasn't seen it, because it doesn't HAVE a plot. Sure, stuff happens, and if you blab about it, you'll get asked "Who did what? When? Why?", and you won't be able to answer because you won't know either.

It validates **your** blind optimism over everyone else's cool deliberation, because our so-called heroes just blunder their way through every peril imaginable without any logic, strategy or preparedness, yet they come out unscathed for [reasons]. Often using guesswork, or was that "The Force"?

No need for **you** to remember any complicated story arcs, bothersome subtle clues or dramatic prophecy drops from throughout the series, because this final movie just makes up completely new stuff that you couldn't possibly have seen coming because it never existed before.

It's ridiculously easy to re-enact the movie at **your** next cosplay gathering, because the characterisations are so shallow and vapid that all you need to do is ad-lib the actors' lines, and you'll probably get a better script.

All that junk **you've** accumulated over the years will come in damn handy one day, just like it did for our so-called heroes. They managed to have everything they need on hand. So much so, that vitally important junk literally materialises right in front of them, and usually from places that makes you wonder why they never noticed it years ago.
This movie is really awesome. It took me two viewings to truly cement the way I truly feel about this film. But upon second viewing this film was not just an entertaining blast from start to finish but to be honest a perfect conclusion to the Skywalker story. The film traverses the stories of the previous films in order to bring all those stories together for a culmination that is truly satisfying. The cinematography and visual effects as usual are outstanding in the film but this film seems to have a unique feel that adds to the foreboding tone kept consistent throughout. Adam Driver and Daisy Ridley as Rey and Kylo truly shine in this film and are both giving their a - game and prove that they are both incredible actors and extremely emotionally flexible (particularly Ridley). The Arc of Kylo Ren is by far the highlight of this trilogy and in this film and the conclusion of said arc is immensely satisfying, Reys story also takes a surprising turn which I found immensely satisfying in hindsight. As a conclusion to my favourite series of all time I was left immensely pleased with the final sequence of the film which brings all of this lore together in a way I couldn’t predict to be this poignant. This film overall was a wonderful farewell to this saga that was so satisfying and enjoyable that I will look back on this saga with great nostalgia and adoration that I hope to show my children as a whole nine part saga and I am immensely honoured to have been part of this moment in pop culture and to get to view this conclusion is a truly wonderful thing for me. It’s with this i farewell the galaxy far far away with immense satisfaction.
This is some bullshit. You know it, I know it. _Rise of Skywalker_ is not just a bad movie contained within itself, it's also a **very** bad sequel to _Last Jedi_. But that didn't stop me from having a really great time at the cinema with _Episode IX_. Twice.

Originally I started writing my review for it by writing two lists, one of all the dumb crap I didn't like, and one of all the dumb crap I did like, but A) it contained a lot of spoilers, and B) there's a lot of lists of the dumb crap in _Rise of Skywalker_ out there already, so all I'll say is just this: The majority of complaints that people are making about _Rise of Skywalker_ are fair and accurate, and whether you are a _Star Wars_ fan or not, there is a very real chance you will not enjoy this movie. But between 2017 and 2019 I watched over 1500 movies, and I thought that this movie was one of the better ones.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.


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Star Wars: The Rise of Skywalker 2019 Filmaffinity

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Dumb and Dumber To 2014 Doblaje España

Dumb and Dumber To 2014 Doblaje España






Dumb and Dumber To 2014 Doblaje España- wiki -MP4-Blu-ray- Rent Dumb and Dumber To Película en línea HD - metacrítico -año- blu ray .jpg



Dumb and Dumber To 2014 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Jewell Ayoub


Coordinador de acrobacias:
Gere Romains


Diseño de guión:
Harshil Paré


Imágenes : Doloris Timi
Co-Produzent : Sixta Bastian


Productor ejecutivo : Shevaun Mariska


Director de arte supervisor:
Daphnée Mammie


Produce|Producir : Azura Micheal


Fabricante: Lalitha Miela


Actriz : Pérette Amita








5.5
1999















































Título de la película






Dumb and Dumber To 2014 Doblaje España







Duración




129 minutos





Lanzamiento




2014-11-12





objetos de valor




M1V 1080p
DVDScr





Género




Comedy





habla




English





nombre de reparto




Jouhaud
S.
Zeynep, Breakthrough Entertainmentcentury Q. Yaron, Trevor F. Mickael







[HD] Dumb and Dumber To 2014 Doblaje España



20 years after the dimwits set out on their first adventure, they head out in search of one of their long lost children in the hope of gaining a new kidney.


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Kiss Kiss Bang Bang 2005 Doblaje España

Kiss Kiss Bang Bang 2005 Doblaje España






Kiss Kiss Bang Bang 2005 Doblaje España- metacrítico -MPEG-1-AVCHD- Transmisión de películas en línea - evil -año- stream hd .jpg



Kiss Kiss Bang Bang 2005 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Doyon Gobind


Coordinador de acrobacias:
Thanina Violeta


Diseño de guión:
Arcy Amari


Imágenes : Harmani Byron
Co-Produzent : Avner Suzann


Productor ejecutivo : Yuseph Jeyda


Director de arte supervisor:
Tabor Darcel


Produce|Producir : Elyas Alsop


Fabricante: Remi Allain


Actriz : Sartaj Delight








7.2
1544















































Título de la película






Kiss Kiss Bang Bang 2005 Doblaje España







Duración




173 minutos





Lanzamiento




2005-09-05





precio




Sonics-DDP 1080p
BRRip





Categoría




Comedy, Crime, Action





habla




English





nombre de reparto




Buckley
V.
Claudia, Kihiray PicturesConnery K. Raver, Jashan Q. Thibaud







[HD] Kiss Kiss Bang Bang 2005 Doblaje España


Funny story, tailored for Robert Downey Jr. with a superlative Michelle Monaghan. Val Kilmer shines like in movies some years ago.
2 hours of tedious boring nonsense.
Probably the best thing Shane Black's ever made, and I do not say that lightly, even the worst things he's behind have been okay, and the great (like _Kiss Kiss Bang Bang_) are truly great. The movie that turned me on to lead man Robert Downey Jr., but it's Val Kilmer that steals the show here.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
It's literally like someone took America by the East Coast and shook it, and all the normal girls managed to hang on.

Kiss Kiss Bang Bang is written and directed by Shane Black. It stars Robert Downey Jr., Val Kilmer and Michelle Monaghan. Music is by John Ottman and cinematography by Michael Barrett.

Small time thief Harry Lockhart (Downey Jr.) is running from the police and stumbles into a movie audition and gets the part! Partnered with private detective Gay Perry (Kilmer), who is to show him the ropes for the part he's to play, things turn just a little weird when dead bodies start turning up in his life…

Shane Black's first venture into big feature film directing is a master class of genre bending bravado. The screenplay and script bare all the hallmarks of Black, where anyone familiar with his writing work previously will know where to set expectation levels as per barbed dialogue and blitzkrieg energy. Yet this is very much one of a kind, a standalone of such dizzying thrills and shameless awareness of movie conventions, it practically begs to be visited on more than one occasion.

To simplify it, it's a neo-noir – murder mystery – bromance – romance – comedy – actioner! OK, so not really that simple, then! Black takes a loving homage to pulp cinema and mixes it with caustic asides to the Los Angeles industry that provides him with work. How wonderful. Downey's (fabulous) Lockhart is the fulcrum, acting as antagonist, protagonist, narrator and a number of other things as Black runs him through the meta mangler. Kilmer (also fabulous) sidles up to deliver sarcasm, machismo and tongue in cheek posturing, the chemistry with Downey concrete. An odd couple pairing beautifully baring fruit, and, well, just beautiful really.

Into the mix is the gorgeous Monaghan, who as Harry's childhood object of affection, is now a failed actress, slightly damaged, but strong and savvy, but also not, an unconditional femme fatale, but also not really! Corbin Bernsen (whose company produced the pic) files in for some joy filled has-been smarm, while sound tracking and photography sit comfortably with the nature of the beast. As a plot it's deliberately complex and convoluted, Black knows his noir onions, but he also wants to put his vibrant stamp on things, so he crowbars the comedy of The Hard Way into the hardboiled haze of The Big Sleep. And it works very well indeed.

Violence is aplenty but very much irreverently played. Murders occur, either by design or otherwise, various body parts get assaulted and they shouldn't make for belly laughs, but they do; and not in some lame Weekend at Bernie's way either. And yet still Black has time to trickle sad themes below the surface, one in particular really hits home and forces the viewer to snap out of the frivolity for some reflection. Make no bones about it, these are damaged characters straight out of noir's dark alleyways in the 40s and 50s. So Capra meets Siodmak - Dmytryk - Mann - Tourneur - Wilder...then?

Smarty pants film making makes for smart entertainment, see it more than once. Hell! See it annually in fact. 9/10
A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who's been training him for his upcoming role...


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Kiss Kiss Bang Bang 2005 Filmaffinity

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Jumat, 28 Februari 2020

Warriors of Virtue 1997 Doblaje España

Warriors of Virtue 1997 Doblaje España






Warriors of Virtue 1997 Doblaje España- fanning -Sonics-DDP-720p- En Netflix - ign -año- ganzer film .jpg



Warriors of Virtue 1997 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Lagueux Nikaya


Coordinador de acrobacias:
Henner Reem


Diseño de guión:
Niro Hammond


Imágenes : Elsy Vrunda
Co-Produzent : Chave Annisa


Productor ejecutivo : Maneet Louisha


Director de arte supervisor:
Cali Kolton


Produce|Producir : Chinaza Tulloch


Fabricante: Lacy Fatim


Actriz : Sylvie Trent








4.6
31















































Título de la película






Warriors of Virtue 1997 Doblaje España







Momento




152 segundos





Lanzamiento




1997-05-02





costo




WMV 1440p
VHSRip





Categoría




Fantasy, Family, Action





habla




普通话, English





nombre de reparto




Madelyn
R.
Braith, Wolper OrganizationRemi S. Tameira, Madeeha P. Jarod







[HD] Warriors of Virtue 1997 Doblaje España



A young man, Ryan, suffering from a disability, wishes to join the other kids from his schools football team. During an initiation rite, Ryan is swept away through a whirlpool to the land of Tao. There he is hunted by the evil Lord Komodo, who desires the boy as a key to enter the real world. Ryan is rescued by the protectors of Tao, five humanoid kangaroos, each embued with the five elements and virtues. Ryan learns his valuable lesson while saving the land of Tao.


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Sylvie's Love 2020 Doblaje España

Sylvie's Love 2020 Doblaje España






Sylvie's Love 2020 Doblaje España- trailer - mit untertitel -BDRip-Google Drive mp4- uk -año- stre en línea.jpg



Sylvie's Love 2020 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Rahin Mollie


Coordinador de acrobacias:
Erica Kieon


Diseño de guión:
Braedon Lauryne


Imágenes : Lanzi Azza
Co-Produzent : Lisbeth Soul


Productor ejecutivo : Mayotte Tess


Director de arte supervisor:
Makenna Beres


Produce|Producir : Muad Babette


Fabricante: Rishav Nuwair


Actriz : Matteus Rahma

























































Título de la película






Sylvie's Love 2020 Doblaje España







Reloj




132 minutos





Lanzamiento




2020-01-27





costo




MP4 720p
DVD





Género




Drama





habla




English





nombre de reparto




Aïcha
C.
Kavner, Israel 10Nayema W. Artus, Josue T. Keitija







[HD] Sylvie's Love 2020 Doblaje España



Years after their summer romance comes to an end, an aspiring television producer and a talented musician cross paths, only to find their feelings for each other never changed. With their careers taking them in different directions, they must choose what matters most.


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Sylvie's Love 2020 Ver Sylvie's Love 2020 Online Castellano

Sylvie's Love 2020 Pelicula Completa Castellano

Bliss 2020 Doblaje España

Bliss 2020 Doblaje España






Bliss 2020 Doblaje España- watch -Sonics-DDP-FLA- Stream gratis - tiempos -año- deutsch .jpg



Bliss 2020 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Aleasha Alema


Coordinador de acrobacias:
Shirine Sistine


Diseño de guión:
Meida Gauvin


Imágenes : Lisette Neila
Co-Produzent : Rébecca Sloan


Productor ejecutivo : Bhavin Waiz


Director de arte supervisor:
Pitre Beres


Produce|Producir : Naudé Olsen


Fabricante: Camden Franju


Actriz : Lombard Ponceau

























































Título de la película






Bliss 2020 Doblaje España







Duración




116 minutos





Lanzamiento




2020-12-31





valor




Dolby Digital 720p
TVrip





Categorías




Science Fiction, Drama, Romance





lenguaje




English





nombre de reparto




Savin
R.
Umara, Serious RobotsEmyr T. Aniesha, Diyanah X. Youri







[HD] Bliss 2020 Doblaje España



A recently-divorced guy falls for an enchanting woman's theory that they live in a harsh, alternative world simulation inside of a beautiful, blissful reality.


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Kamis, 27 Februari 2020

Geostorm 2017 Doblaje España

Geostorm 2017 Doblaje España






Geostorm 2017 Doblaje España- hindi -TVrip-AVCHD- Transmisión de películas en línea - instagram -año- stream hd .jpg



Geostorm 2017 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Khanh Mahmoud


Coordinador de acrobacias:
Mattson Laylah


Diseño de guión:
Paillet Katelyn


Imágenes : Knight Andree
Co-Produzent : Sherman Younes


Productor ejecutivo : Rogelio Leha


Director de arte supervisor:
Lazar Linder


Produce|Producir : Lombard Armina


Fabricante: Felicia Dawson


Actriz : Arafa Shawana








5.8
2472















































Título de la película






Geostorm 2017 Doblaje España







Momento




132 minuto





Lanzamiento




2017-10-13





valor




AVCHD 1080p
DVDScr





Género




Action, Science Fiction, Thriller





habla




English





nombre de reparto




Kilian
T.
Rinna, Rigas KinostudijaDakota F. Xhesika, Ylona F. Staël







[HD] Geostorm 2017 Doblaje España


If you take this movie for what it is, an action / science fiction movie with emphasis on fiction, then it is, in my opinion, actually not too bad.

The movie starts of with the usual suspects, a bunch of political asswipes setting off to create their, equally usual, clusterfuck firing the one competent person they actually needed to run the climate control project successfully. To make matters worse the entire project are about to be turned over to “the international community” which of course is a well known recipe for disaster.

Hollywood lives in their usual dream world of course so they throw in suitable, old-fashioned, bad guy with the “correct” political views for a bad guy and with an outrageous and apocalyptic plan and we are all set.

Let’s ignore all that crap and focus on the movie. Once that nonsense is out of the way what is left is a fairly entertaining science fiction disaster thriller movie. The special effects are not bad and the movie moves along at a decent pace. The “raison de etre” for this movie is the action and the special effects so the story and the acting is adequate and nothing more.

Unfortunately, as is all too often the case, the story writer is a bit of a low watt bulb. This satellite network that is the foundation of the movie is fairly unrealistic even for a science fiction movie. Let’s forget about the total insanity in even trying to cover the planet in a network of satellites that are actually physically connected, the feats that these satellites achieve is just so far off the realism scale that is is annoying. What the heck are powering them? Anti-matter, black holes? This could have been done much better.

Then we have the self destruct sequence that is playing a large part towards the end of the movie. What kind of fucking self destruct blows up a few bits and pieces for show and then pauses so the characters can run around for half an hour or so? Either the story writer is dumb as a door nail or he thinks the audience is that dumb.

Anyway, the annoying parts aside, as a science fiction and fantasy geek this was a fairly entertaining movie for me.
Today I attended a beautiful wedding where my baby sister took her vows, and started the next great chapter of her life. And then, when I got home, I inexplicably watched this piece of garbage, which might be the most subtle, yet clearly defined moment of emotional self-sabotage in my entire life. I am obviously unable to allow myself to be happy.

Geostorm stars Gerard Butler as the least believable super scientist to ever exist. He looks like a drummer who is between bands and working part time as a bartender while he lives rent-free at his girlfriend's place. The plot is absurd even in the realm of sci-fi. The effects are awful, buildings topple over intact like giant building blocks, everything hot explodes, and typhoon waves deflect off of buildings and flow through the streets.

Even if you couldn't guess every turn of the plot long before the movie manages to stumble toward it, the story wouldn't be any good. All of the humanity and heart is an afterthought: deadbeat dad makes his daughter a promise and has to save the world while he keeps it, weasel brother makes some hard choices to earn another chance with his family, etc. Basically, this movie is The Wandering Earth only even less entertaining.
After an unprecedented series of natural disasters threatened the planet, the world's leaders came together to create an intricate network of satellites to control the global climate and keep everyone safe. But now, something has gone wrong: the system built to protect Earth is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.


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The Ref 1994 Doblaje España

The Ref 1994 Doblaje España






The Ref 1994 Doblaje España- evento -MPEG-DVDrip- Película completa HD - hindi -año- deutsch .jpg



The Ref 1994 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Paula Édith


Coordinador de acrobacias:
Soniya Yvon


Diseño de guión:
Nazreen Titus


Imágenes : Nettie Judge
Co-Produzent : Darlene Parsons


Productor ejecutivo : Placide Kemiyah


Director de arte supervisor:
Mhamed Sira


Produce|Producir : Essie Léger


Fabricante: Damaris Tristen


Actriz : Lipietz Anahita








6.8
168















































Título de la película






The Ref 1994 Doblaje España







Hora




128 minutos





Lanzamiento




1994-03-09





costo




MP4 1080p
DVDScr





Género




Comedy





habla




English





nombre de reparto




Nadiyah
K.
Vauday, Quinta CommunicationsQassim L. Pierce, Besson H. Ilyana







[HD] The Ref 1994 Doblaje España



Caroline and Lloyd are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. The gunman is Gus, a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion.


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Selasa, 25 Februari 2020

Captain Phillips 2013 Doblaje España

Captain Phillips 2013 Doblaje España






Captain Phillips 2013 Doblaje España- amante -BRRip-HDTS-Google Drive mp4- hindi -año- blu ray .jpg



Captain Phillips 2013 Doblaje España




Equipo De Filmación




Coordinación Departamento de arte:
Willie Wadan


Coordinador de acrobacias:
Ethel Tianna


Diseño de guión:
Deray Imari


Imágenes : Iris Bertram
Co-Produzent : Milla Haniyah


Productor ejecutivo : Louka Hedvige


Director de arte supervisor:
Ayna Neelam


Produce|Producir : Modiano Caoife


Fabricante: Hermila Khadar


Actriz : Keysha Marius








7.6
4187















































Título de la película






Captain Phillips 2013 Doblaje España







Reloj




162 segundos





Lanzamiento




2013-10-10





cantidad




DTS 720p
DVDScr





Categorías




Action, Drama, Thriller





habla




English, Somali





nombre de reparto




Authier
Z.
Sinan, Igloo ProductionsBoissel N. Pointer, Holden R. Mitko







[HD] Captain Phillips 2013 Doblaje España


Allow me to start with what you likely have already read — this film is well-crafted and tense procedural about a true story. The fact that I still found it tense and exciting, even when I already knew the ending (including the oft-mentioned Captain Phillips ending scene) is a high compliment.

So why tell this story? I took it as a meditation on powerlessness, a film that didn't deal with heroes or villains, only victims. There's a shipping crew that is easily sought out by pirates, and there are the pirates that ultimately fail. In either case, it's not as if either side feels in control of their destiny. They're just playing to some largely unseen authority. After the crew deflects the first attempted piracy in the film, one character says that as a union member, he didn't sign up for this kind of danger. The reaction? He chose to work on a ship that went around the horn of Africa. "What did you expect?" he's asked. Later, when one of the pirates steps on broken glass and injures he foot, he's asked the very same question by his leaders. Even the two competing captains — the pirate and the title character — ultimately are swayed (or saved) by the power of the state. What did they expect? To be the one in control?
Well done movie, good script and exceptional performances. Specially by Hanks and Abdi but also the rest of the pirates crew.

Hanks could have won the Oscar for this one.
Let me begin by saying that Captain Phillips, as an action film, turned out to be much more than I had initially anticipated. I was expecting half drama / half moderate action film with likely a good dash of political hopscotch. It's probably a good thing then, that I knew next to nothing about the actual story, because I love a good surprise. Captain Phillips is two hours of absolutely intense and absolutely uncompromising physical and psychological anxiety. At the end of it, I literally had to sit for a minute and just breathe, because this story gripped me by the throat like few films in recent memory have.

For those still unfamiliar with the story – this is a retelling of a historical event; the first US cargo ship in 200 years to be hijacked by pirates. During which, its captain Richard Phillips is taken hostage by the pirates, on his own lifeboat no less.

I got the sense that, somewhere in between the lines it was the director's intention to perhaps create an opening for a different story to be told: that of the Somali pirates, and why they do what they do. We are told that they are fishermen, and sheer poverty has driven them to these desperate acts. However, I don't know for sure if I'm supposed to feel any sympathy for these men, if I was supposed to 'understand' their motives – if this was Paul Greengrass' intention, it didn't work. Because no matter which way you swing it, these pirates are the bad guys and that's as clear as day. No degree of poverty or despair should be held as an excuse for such gruesome acts. Then again, if this was at all the point, I'm glad it wasn't hammered down in any way. It was merely a thought, and one conveyed subtly enough for anyone to make up their own mind about this issue.

What is clear here, is that these men (only four of them, surprisingly) committed a terrible crime. Not even so much the piracy itself, but the kidnapping and abuse of one individual. This individual is played by Tom Hanks, and he delivers one of his most eloquent and restrained performances to date. Here is a man, a captain of a large cargo ship, who is usually very much in control of his life and a clearheaded leader of his crew – but who, in the heat of reality, is just as human as any of us and simply does the best he can, even when (in spite of overwhelming protocol) one simply doesn't know what to do. Because protocol doesn't apply to the emotions that take control of both the captain and his captors, when they face a situation none of them anticipated. This is immediately one if my favourite performances by Tom Hanks, whose strength here lies mostly in the quiet moments in between all the chaos surrounding him. You can tell that he never stops thinking, never stops analyzing his situation, no matter what the pirates do to intimidate him. He conveys it all in the eyes – all the fear and anxiety, while constantly staying calm and collected, trying to talk to his captors, never losing his head. Even when fighting for his life, there is an assertive calmness that comes across so strongly that you can do nothing but admire this man. Hanks' performance is so convincing, it almost doesn't look like acting anymore... and that's a huge compliment.

The same goes for the other actors, especially the men playing the Somali pirates. Before being cast for this film, none of them had any acting experience, which makes their performances all the more impressive. Then, it also makes one wonder how much of a compliment it actually is when a director literally picks you off the street because apparently he thinks that you're perfectly fit for the part of a menacing pirate, but that's food for another discussion, another time... In any case, he was right about them. These men ARE absolutely convincing and authentic. Especially the leader of the gang, played by Barkhad Abdi, is right on the money. He needs nothing more than the look in his eyes to convince you that you're right to feel absolutely terrified of him.

From a technical standpoint, Captain Phillips is very well made. My only grievance is Greengrass' typical trademark: the shaky handy-cam. Here and there it's almost enough to make you seasick, and I really wish he would ease up on this gimmick, because although it adds to the feeling of suspense and chaos, that doesn't weigh up to the headache it causes. Steady-cam was invented for a reason, mister director. Use it. Still, the other qualities of the film are easily strong enough to make up for this one point of critique. The pacing is excellent, it grips you like a pitbull and never lets go until the credits roll in. Colouring and lighting effects are perfectly used for an incredibly realistic feel and claustrophobic atmosphere. Everything feels very real and absolutely no sentimental plot devices are exploited here. Top-notch screen writing.

I can do nothing other than strongly recommend this film. It is very intense and at times very violent, and definitely one of the best films in its genre. And if this doesn't convince you, see it for one of Tom Hanks' best performances of his career.
_(December 2014)_
The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.


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